It's hard to describe Wong Kar-wai's "2046" - it is one of the most complex movies I've ever watched. It's harder still to understand since I haven't watched
In the Mood for Love, or any of Wong's movie.
The poignancy of it all
All aspects of the movie, include the musical score, and the shots are
made to be poignant. When Bai Ling (played by the gorgeous and surprisingly mature and older looking Zhang Ziyi) and Chow (ladies and ladies, your heart throb
Tony Leung) were together, Wong decided that it is best that they occupy the 1/3 of the screen - either on the left, right, or bottom. So I was left quite detached from the characters. But this amplify their intentions, despairs, happiness and sorrows - you can't miss a sudden flicker in their eyes, or the sudden change of expression on their faces. The most recurring scene is the one where the main characters are seen standing on top of the hotel floor, with the big neon 'H' on the foreground, and the characters left as insignificant backdrop.
All of the women in Chow's life has a strong hint of class, individuality and independence in them - Lu Lu (Carina Lau), Bai Ling (Zhang Ziyi), and Su Li Zhen (Gong Li). Bai Ling is the most prominet character - she appears in different points of Chou's life with different attitudes - from the slutty mistress to the happy and fun lover, and finally broken hearted. Faye Wong's character, while not that strong, was the opposite of the the rest. I can't quite figure out why she was featured, but her inclusion made the movie more complex.
2046 reaffirms what all of us wants - to go back to the past and correct our mistakes. It is a movie that is sometimes dull (probably due to the drab musical score) and sometimes touchy, depending on your point of view, and most of all, your past memories.
Listening to: Boards of Canada - Music is Math